In 1942 the United States Government hoped to solve some of the residential shortages by erecting housing projects. Construction workers built these Sojourner Truth Projects in Detroit, Michigan. Image: Photo by Arthur S. Siegel, “Detroit, Michigan. Sojourner Truth homes, a new U.S. federal housing project,” 1942. Credit: Library of Congress, Prints & Photographs Division, FSA-OWI Collection, [reproduction number, e.g., LC-USF35-1326].
Black families like this one took advantage of the opportunity to live in the Sojourner Truth homes. They sought to avoid the dilapidated, cramped conditions in older residences. Image: Photo by Arthur S. Siegel, “Detroit, Michigan. Typical Negro family at the Sojourner Truth homes,” 1942. Credit: Library of Congress, Prints & Photographs Division, FSA-OWI Collection, [reproduction number, e.g., LC-USF35-1326].
White occupants of the Sojourner Truth Projects resisted and picketed against living side by side with blacks. This conflict eventually erupted into a riot. Image: Photo by Arthur S. Siegel, “Detroit, Michigan. Rioting at the Sojourner Truth housing project,” 1942. Credit: Library of Congress, Prints & Photographs Division, FSA-OWI Collection, [reproduction number, e.g., LC-USF35-1326].
Police arrested many participants in the riot. The white real estate operator who incited the turmoil found himself in police custody. Many blacks, like the one pictured above, also ended up escorted to jail. Image: Photo by Arthur S. Siegel, “Detroit, Michigan. Riot at the Sojourner Truth homes, a new U.S. federal housing project, caused by white neighbors' attempt to prevent Negro tenants from moving in. Police arresting a Negro,” 1942. Credit: Library of Congress, Prints & Photographs Division, FSA-OWI Collection, [reproduction number, e.g., LC-USF35-1326].
Overall, the white’s efforts were organized and deliberate. They stated their demands very clearly. White protesters erected this sign directly facing the Sojourner Truth Projects. The American flags implicitly express that protesters thought they had the right as American citizens to benefit from segregation. Image: Photo by Arthur S. Siegel, “Detroit, Michigan. Riot at the Sojourner Truth homes, a new U.Sn federal housing project, caused by white neighbors' attempt to prevent Negro tenants from moving in. Sign with American flag ‘We want white tenants in our white community,’ directly opposite the housing project,” 1942. Credit: Library of Congress, Prints & Photographs Division, FSA-OWI Collection, [reproduction number, e.g., LC-USF35-1326].
Commentary
Finding these photos was relatively easy. I knew that I wanted to complete a photo essay on a race riot so I found the Library of Congress website and typed in my search terms: race and riot. I utilized the American Memory: America from the Great Depression to World War II website. For this reason, I thought that my inability to find more desirable photos depicting the race riots of 1919 or response to the assassination of Martin Luther King Jr. would be to my detriment. Fortunately, however, I found a wealth of digitized photos. After I decided on the race riots at the Sojourner Truth Projects I also used the search words: Sojourner and Truth. I was pleased that the search engine separated the results that contained all of my terms from the results that contained only some of my terms.
Next, I read the legal notice web page within the Library of Congress website. I learned that researchers do not have to pay fees to utilize or reproduce any of the library’s archives. Surprisingly, however, the web page also expressed that researchers are still responsible for making sure that they are not violating any copyright laws when they reproduce the library’s resources. I thought this page would relieve me from any further responsibility. For this reason, I read the rights and reproduction web page for every photo that I chose to include in my photo essay. As it turns out, since Arthur Siegel worked for the United States government as a photographer none of his pictures of the Sojourner Truth Riot can be bound by copyright laws. Unfortunately, this page also includes a disclaimer cautioning all researchers to make sure that copyright laws do not bar the photos from unauthorized reproduction. It seems that through some complicated legal process that I do not understand there is a slim chance that even Siegel's work may be protected under some copyright laws.
After I decided to take my chances and assume that researchers could reproduce Siegel's photos without seeking permission, I moved on. I started by physically writing an outline and typing my text into a Word document before I began to think about my photos. At first, I thought that I could use the “new post” function of my blog to construct my photo essay. I was saddened to find that the “add image” function does not work the way I thought it would. Photos do not appear at the insertion point like they would in a Word document. Instead they are formatted according to the layout I chose which does not place pictures correctly. Also, each new photo appears at the top of the post as opposed to the bottom of the post. I tried to compensate for this by adding each photo in reverse order and enlarging the photo as much as possible. I also found it easier to cut and paste my text from a Word document.
In the end I became wary of the blurriness in each picture, and wondered why some of the pictures were cut off after I published them. I uploaded all of my pictures again and used a laborious click, drag, and space (with the delete, backspace, and enter keys) process to make sure the post looked good. The post always looked different than the “view post” window so I had to publish it several times. Ultimately, I found that limited spacing and layout formatting works the best. I wonder if there is an easier way to do this.